Jazz Precision
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Certainly the most reliable components of a band is the bass guitar. Together with the drummer, the bass guitarist is definitely the basic foundation in a song, giving you the spine and structure of the melody by way of the ever-dependable rhythmic groove. What better method to provide these primary riffs than with a Fender.
The celebrated Fender Musical Instruments Corporation comes with a reputation rich in imaginative music, groundbreaking guitar craftsmanship, as well as the core of Fender guitars comes from the revolutionary and well-known approaches of Leo Fender. The electric bass weren't originally Fender's, but quickly turned out to be the most well-liked commercially available on the market, and also the preciseness and trustworthiness of the Fender branding permeated the music world, and persists to rock to this very day.
Fender include the acoustic bass, as well as electric bass, together with choices to suit any type of playing and music genre.
Fender precision guitars, sometimes referred to as P-bass, is one in a series of Fender basses.
Originally available to the public in 1951, Leo Fender perfected the instrument which had critical significance for the music industry and the effects of his handiwork continues serving up that pumping bass 50 plus years later.
In the early 1950s, Fenders experienced a few modifications with the advent of a contoured edge for the comfort of the guitar player in mind, and then once more in the late nineteen fifties, some new design attributes were unveiled for example headstock, and pick guard alterations. This change included pearloid, brown tortoise shell and aluminum, which created a fresh modern appearance for the popular bass community.
The jazz bass is another distinctive line of fender basses which in turn grooved onto the landscape in the 60s having its mellow tone and narrow fretboard. Acknowledged for their quality and craftsmanship, this brand delivers a perfection bass, and this dates back to the classic bass and carries through to the newest guitars. For instance, the Steve Bailey, the Tony Franklin Fretless, the American Standard Precision, along with the wonderful looking and awesome sounding Jaguar. All of which are top class, and indisputably first-rate.
For more information, please visit http://www.fender-bass-guitars.com
Peter Gehr is an expert researcher and writer devoted to providing quality information to his readers. With an acute attention to detail, the author commits to dependable and reputable resources in order to compile productive and useful input and guidelines.
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Fender Thumb Rest Precision Bass and Jazz Bass $5.99 Fender Thumb Rest Precision Bass and Jazz Bass |
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Fender Thumb Rest Precision Bass And Jazz Bass $4.99 Fender Thumb Rest Precision Bass and Jazz Bass |
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Fender String Guide for Vintage Jazz Bass / Precision Bass $5.99 Fender String Guide for Vintage Jazz Bass / Precision Bass |
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Fender String Guide For Vintage Jazz Bass / Precision Bass $5.99 Fender String Guide for Vintage Jazz Bass / Precision Bass |
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The Jazz $6.49 The Jazz |
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This Is Jazz $11.49 This Is Jazz |
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Jazz Is... $14.29 Jazz Is... |
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Jazz On $10.49 Jazz On |
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Jazz $4.99 Jazz |
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& Jazz $22.99 & Jazz |
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The History of Jazz $17.95 Jazz is the most colorful and varied art form in the world and it was born in one of the most colorful and varied cities, New Orleans. From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe "King" Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton ("the world's greatest hot tune writer"), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being "entertainers," wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature. |
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Pioneers of Jazz $24.95 Thanks to the pioneering tours of the Creole Band, jazz began to be heard nationwide on the vaudeville stages of America from 1914 to 1918. This seven-piece band toured the country, exporting for the first time the authentic jazz strains that had developed in New Orleans at the start of the 20th century. The band's vaudeville routines were deeply rooted in the minstrel shows and plantation cliches of American show business in the late 19th century, but its instrumental music was central to its performance and distinctive and entrancing to audiences and reviewers. Pioneers of Jazz reveals at long last the link between New Orleans music and the jazz phenomenon that swept America in the 1920s. While they were the first important band from New Orleans to attain national exposure, The Creole Band has not heretofore been recognized for its unique importance. But in his monumental, careful research, jazz scholar Lawrence Gushee firmly establishes the group's central role in jazz history. Gushee traces the troupe's activities and quotes the reaction of critics and audiences to their first encounters with this new musical phenomenon. While audiences, who often expected (and got) a kind of minstrel show, the group transcended expectations, taking pride in their music and facing down the theatrical establishment with courage. Although they played the West Coast and Canada, most of their touring centered in the heartland. Most towns of any size in Iowa, Illinois, and Indiana heard them, often repeatedly, and virtually all of their appearances were received with wild enthusiasm. After four years of nearly incessant traveling, members of the band founded or joined groups in Chicago South Side cabaret scene, igniting the craze for hot New Orleans music for which the Windy City was renowned in the early 1920s. The best-known musicians in the group--cornetist Freddie Keppard, clarinetist Jimmy Noone and string bassist Bill Johnson--would play a significant role in jazz, becoming famous for recordings in the 1920s. Gushee effectively brings to life each member of the band and discusses their individual contributions, while analyzing the music with precision, skillful and exacting documentation. Including many never before published photos and interviews, the book also provides an invaluable and colorful look at show business, especially vaudeville, in the 1910s. While some of the first jazz historians were aware of the band's importance, attempts to locate and interview surviving members (three died before 1935) were sporadic and did little or nothing to correct the mostly erroneous accounts of the band's career. The jazz world has long known about Gushee's original work on this previously neglected subject, and the book represents an important event in jazz scholarship. Pioneers of Jazz brilliantly places this group's unique importance into a broad cultural and historical context, and provides the crucial link between jazz's |
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Jazz Not Jazz $12.49 Jazz Not Jazz |
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SKB Hard Shell Case for PRECISION BASS and JAZZ BASS Electric Guitars - Black $139.99 Protect your PRECISION BASS or JAZZ BASS electric guitar during transport with this hard shell case that features molded construction with an aluminum valance, full-length neck support and a trigger-release latching system for durability. |



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