Geni Swing Guitars

Instrument Amp

Guitar Amp Troubleshooting

One such incarnation is the Portuguese guitar, a plucked instrument with twelve strings strung in six courses of two strings each.Guitar Amp Troubleshooting The instrument is noticeably smaller than a standard classical guitar, has a distinctive tuning mechanism (more on this later) and its body is more rounded, or "pear-shaped." These characteristics have to do with the fact that Portuguese guitar is actually a cittern, a close cousin of the guitar. The cittern was a very popular instrument in Europe during the Renaissance Period, valued for its relatively inexpensive price and easy of play. A specific cittern, the English "guitar," is thought to be the direct ancestor of the modern Portuguese guitar.

The Portuguese guitar as such can be traced back to the early 19th century. During that century, the instrument was produced in a variety of shapes and sizes in accordance with regional aesthetic preferences. It was not until the first half of the 20th century that Portuguese guitars were standardized. At that time, the instrument was refined into two distinct models: the Lisboa guitar and the Coimbra guitar. These two versions of the Portuguese guitar are still in use today and both retain the overall appearance of the earlier instruments.

While both types of Portuguese guitars are undeniably variations of the same instrument, each has certain unmistakable characteristics. The Lisboa has a larger soundboard and invariably possesses a scroll-shaped headstock. The Coimbra, on the other hand, has a teardrop-shaped headstock, a narrower neck and smaller string spacing. The Lisboa usually has a scale of 440 mm and a bell-like sound; the Coimbra has an Play EXISTING riffs and patterns with speed and accuracy click hereaverage scale of 480 mm and an accentuated bass sound in accordance with its larger scale.

To play the Portuguese guitar, a musician utilizes a method of fingerpicking during which only the fingernails are used; the flesh of the fingers never comes into contact with the strings. In modern times, in an effort to save their fingernails, artists usually use fingerpicks that can be attached to the ends of the fingers. These fingerpicks are most commonly plastic, although the shell of the endangered tortoise was once popular and such picks can still be found. The musician uses only his thumb and index finger, resting the other fingers below the strings and against the soundboard. The fingerpicking technique of the Portuguese guitar is called "dedillo" or "dedilho," which roughly translates as "to know thoroughly." In this context, it may be taken to mean that the string is plucked thoroughly.

The Portuguese guitar is most commonly associated with fado, a Portuguese musical genre that can be traced back to the 1820s; this was approximately the same time that the Portuguese guitar became popular. Like its instrument, fado can be divided into two varieties, Lisboa and Coimbra. The former style is the more popular of the two, but the latter is held to be more refined. Fado, which translates roughly as "fate," is a plaintive musical genre, the subject of which is often nostalgia. Fado performances invariably utilize the music of the Portuguese guitar.

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SWR California Blonde II Acoustic Instrument Amp $799.99 SWR California Blonde II Acoustic Instrument Amp

Used Focusrite Trakmaster Vocal Amp; Instrument Channel $249.99 In Store Used USED FOCUSRITE TRAKMASTER VOCAL amp; INSTRUMENT CHANNEL

SWR California Blonde II Acoustic Instrument Amp Regular 886830319655 $639.99 SWR California Blonde II Acoustic Instrument Amp Regular 886830319655

Swr California Blonde Ii Acoustic Instrument Amp $799.99 The new California Blonde II amp is designed to meet and exceed the changing needs of acoustic instrumentalists of all styles! Great for live work, solo gigs, stereo monitoring, non-PA sound reinforcement, the 2-channel, 200-watt California Blonde II gives you the tone of the original SWR California Blondea longtime favoritewith additional features including a 1/4" Lo-Z balanced input, mic input phantom power, upgraded power amp circuitry, a tuning mute switch, reverb defeat switches for each individual channel, dedicated XLR outputs for each channel, a summed Channel Two 1/4" line out, and flexible patching and signal-routing capabilities. Smooth looks and warm, rich tone make it the ideal amp for acoustic instruments of all types!Mono and stereo inputsCustom Celestion 12" driver and Eminence Supertweeter2 channels (instrument and instrument/vocal)1/4" Lo-Z balanced inputMaster volume controlFoot-switchable spring reverb with Master Reverb ControlDiscrete solid state front end2 side chain effects loops (one for each channel)Channel 1 1/4" line outSummed 1/4" line outBalanced XLR line out (one for each channel)Summed balanced XLR line out (post reverb)Tuner outTilt stand for easy anglingTop handleChrome protective cornersBottom slot portBlonde textured vinyl coveringVibration-free speaker grilleTweeter attenuator controlChannel 1 controls: gain with clip indicator, push/push phase reverse, Aural Enhancer, bass, mid, treble, and effects blend)Channel 2 controls: mic/aux switch, gain with clip indicator, push/push phase reverse, bass, mid, treble, and effects blendMaster Section: reverb level and master volume

Weems amp; Plath AW400 Large Instrument Plaque $129.99 For two instruments with bases to 61/2 diameter. Instruments not included. Dimensions: 223/4 x 101/2 . Top Quality Manufactured to the highest specifications. Makes for an Excellent Gift Idea. Satisfaction Ensured. Meets the standard of excellence.

Xils Lab Virtual Instrument $189 XILS Labs Synthix is a beautiful model of a legendary synthesizer you may not be familiar with, the Elka Synthex. This 32-bit plugin for Mac or PC features a GUI that resembles the original instrument. The Synthex not being quite an iconic synth instrument, users may not be completely acquainted with the interface, but it is a common enough design, and several features owe more to the imaginations of the XILS Lab programmers than to Elka. The Synthix features two oscillators with triangle, saw, square, and pulse waveforms selectable per voice. The option to select different oscillator shapes per voice avails the user of tremendous creative potential. Add ring modulation and PWM and the impressive nature of the Synthix plugin begins to really make itself plain. Feeling a little dirty? An independent noise generator lets you throw some mud into the mix. The filter section has five options and discrete envelopes for the Amp and Filter stages. There are two additional assignable envelopes as well.What does the infomercial barker say? But wait! Theres more! There are four separate effects sections that control deeply tweakable parameters within time-based effects like chorus, delay, and phase shifting, plus a dramatic and very effective EQ section. And dont get us started on the multi-layering. If you love synthesizers, you will have a deep and abiding relationship with your XILS Lab Synthix. This one is a winner.Two oscillators with 4 selectable waveformsDedicated PWM and Ring modulatorOne multimode filter based on the CEM 3320 chip emulation,Self oscillating 12 dB and 24 dB low pass6 and 12 dB band pass12 dB high passFour D-ADSR : an enhanced standard ADSR MIDI syncable delay.Four LFOs, including two neverseen LFOS types.Four embedded effects : Delay, Chorus, Phaser, Dual EQsMulti-track sequencerA la Moog mono modes and several Polyphonic modesLFO based on fully calculated chaotics functionsGuitar modes, Circular and random polyphonic mode8 independent layers 2 keyboards

Used Swr California Blonde Ii Acoustic Instrument Amp $695.99 The new California Blonde II amp is designed to meet and exceed the changing needs of acoustic instrumentalists of all styles! Great for live work, solo gigs, stereo monitoring, non-PA sound reinforcement, the 2-channel, 200-watt California Blonde II gives you the tone of the original SWR California Blondea longtime favoritewith additional features including a 1/4" Lo-Z balanced input, mic input phantom power, upgraded power amp circuitry, a tuning mute switch, reverb defeat switches for each individual channel, dedicated XLR outputs for each channel, a summed Channel Two 1/4" line out, and flexible patching and signal-routing capabilities. Smooth looks and warm, rich tone make it the ideal amp for acoustic instruments of all types!Mono and stereo inputsCustom Celestion 12" driver and Eminence Supertweeter2 channels (instrument and instrument/vocal)1/4" Lo-Z balanced inputMaster volume controlFoot-switchable spring reverb with Master Reverb ControlDiscrete solid state front end2 side chain effects loops (one for each channel)Channel 1 1/4" line outSummed 1/4" line outBalanced XLR line out (one for each channel)Summed balanced XLR line out (post reverb)Tuner outTilt stand for easy anglingTop handleChrome protective cornersBottom slot portBlonde textured vinyl coveringVibration-free speaker grilleTweeter attenuator controlChannel 1 controls: gain with clip indicator, push/push phase reverse, Aural Enhancer, bass, mid, treble, and effects blend)Channel 2 controls: mic/aux switch, gain with clip indicator, push/push phase reverse, bass, mid, treble, and effects blendMaster Section: reverb level and master volume

Used Swr California Blonde Ii Acoustic Instrument Amp Regular 886830319655 $639.99 The new California Blonde II amp is designed to meet and exceed the changing needs of acoustic instrumentalists of all styles! Great for live work, solo gigs, stereo monitoring, non-PA sound reinforcement, the 2-channel, 200-watt California Blonde II gives you the tone of the original SWR California Blondea longtime favoritewith additional features including a 1/4" Lo-Z balanced input, mic input phantom power, upgraded power amp circuitry, a tuning mute switch, reverb defeat switches for each individual channel, dedicated XLR outputs for each channel, a summed Channel Two 1/4" line out, and flexible patching and signal-routing capabilities. Smooth looks and warm, rich tone make it the ideal amp for acoustic instruments of all types!Mono and stereo inputsCustom Celestion 12" driver and Eminence Supertweeter2 channels (instrument and instrument/vocal)1/4" Lo-Z balanced inputMaster volume controlFoot-switchable spring reverb with Master Reverb ControlDiscrete solid state front end2 side chain effects loops (one for each channel)Channel 1 1/4" line outSummed 1/4" line outBalanced XLR line out (one for each channel)Summed balanced XLR line out (post reverb)Tuner outTilt stand for easy anglingTop handleChrome protective cornersBottom slot portBlonde textured vinyl coveringVibration-free speaker grilleTweeter attenuator controlChannel 1 controls: gain with clip indicator, push/push phase reverse, Aural Enhancer, bass, mid, treble, and effects blend)Channel 2 controls: mic/aux switch, gain with clip indicator, push/push phase reverse, bass, mid, treble, and effects blendMaster Section: reverb level and master volume

Instrument Air Duromark Pipe Markers $91.1 Duromark pipe markers on-a-roll are supplied on rolls for easy use & big savings. Duromark pipe markers on-a-roll state: "INSTRUMENT AIR." Overlaminate shield against dirt, grease, grime, weather and harsh plant conditions. Simply peel and press firmly to a clean pipe. Sold in rolls of 72 Duromark pipe markers. Color is white on blue. Choose pipe diameter.

Clipper BM1 Battery Monitor Instrument $270.18 The BM1 is designed to monitor performance of 12 volt lead acid battery systems with capacities of up to 650 Amp hours. It is supplied complete with a precision 100 AMP shunt and a prefabricated cable assembly to enable simple DIY installation. The unit continuously monitors voltage current (charge or discharge) number of amp/hours (charge or discharge) the batteries state of charge and the time to charge or discharge. This information leads to more efficient use of the battery which can enhance battery life and reduce the risk of failure. Specifications:. Supply voltage: 816 volts DC. Supply current: 3 milliamps. Battery capacities: 5650 AMP Hour. Load Current: 100 Amps Max. Charge Current: 100 Amps Max. Shunt: Standard 50 millivolt 100 AmpCables Supplied:. 100 Amp shunt link to M8 Ring terminal.. 5 metre from display unit to battery fused and fitted with ring terminals for shunt fuse holder and M8 ring terminal to battery.Display Unit:. Standard 110m squre clipper case. High contrast LCD backlit for night viewing.lt;LI> Minimum voltage visual alarm. Simple operation: 4 keys to select backlight Volt/Amp/State of charge screen AMP hours or time to run. Product : CLIPPER BATTERY MONITOR INSTRUMENT. Manufacturer : CLIPPER. Manufacturer Part No : BM1

MOTU Electric Keys Virtual Instrument $279 Released at the 2008 Winter NAMM show, MOTU's Electric Keys is a cross-platform virtual instrument that delivers authentic sounds of 50 classic, vintage electric keyboard instruments from the past 40 years. This massive 40GB sound library includes over 20,000 meticulously crafted 24-bit/96 kHz multi-samples of legendary electric pianos, electric organs, clavinets, Wurlitzers, tape samplers, string machines, keyboard basses, and other rare and exotic electric keyboard instruments. These include models from names like Fender, Yamaha, Korg, Roland, Hammond, Wurlitzer, Hohner, Elka, Farfisa, Mellotron, Moog, RMI, and Arp.Though the authentic nuance of each original instrument was captured at 24-bit/96kHz resolution, they can be played at any standard sample rate via Electric Keys' flexible 32-bit UVI playback engine. Presets consist of carefully crafted multi-samples with multiple velocities, layers and/or release samples, depending on the instrument. Samples are streamed from disk, so even the largest presets load quickly while conserving computer memory. Sounds are organized in 12 banks, each with its own custom look ("skin"), letting you to install on your hard drive only the banks you wish to use. The Electric Keys interface offers a few simple controls, including volume, pan, tone, and tremolo settings, along with two preset slots, which allow you to layer two sounds using the convenient multi-column preset browser. When a preset loads, the background displays the "skin" for the corresponding bank, but the controls and their operation remain the same. Once one or two sounds are loaded onto MOTU's Electric Keys, the user can simply play, adjusting parameters as desired, while CPU-efficient 256-note polyphony ensures that notes are never cut off due to voice-stealing.40GB library24-bit/96kHz multi-samplesMore than 20,000 samples of over 50 keyboards from the 60s to today by Fender, Yamaha, Korg, Roland, Hammond, Wurlitzer, Hohner, Elka, Farfisa, Mellotron, Moog, RMI, Arp and moreStandard rate playback via Electric Keys' flexible 32-bit UVI playback engineEach instrument has it's own custom skinEach instrument has access to an effects rack which includes: Amp Simulation, Reverb, Delay, Chorus, Filters, Phaser, Flanger, UVinyl (wear and tear sound)Effects can be loaded, created, and saved independently of instrument presetsSamples streamed from disk, so large presets load quickly and conserve computer memory3D piano keys across the bottom of window highlight during playbackSimple controls include volume, pan, tone, and tremolo settings, along with two preset slots, which allow users to layer two sounds using the convenient multi-column preset browseDozens of factory presets and combis includedLoad and save combis consisting of a snapshot of the entire plug-in, including effectsMIDI learn256 polyphonyEffects parameters are MIDI Controller assignableThe software is available as a standalone virtual instrument as well as an RTAS, AU, MAS, VST, and DXii

Motu Electric Keys Virtual Instrument $279 Released at the 2008 Winter NAMM show, MOTU's Electric Keys is a cross-platform virtual instrument that delivers authentic sounds of 50 classic, vintage electric keyboard instruments from the past 40 years. This massive 40GB sound library includes over 20,000 meticulously crafted 24-bit/96 kHz multi-samples of legendary electric pianos, electric organs, clavinets, Wurlitzers, tape samplers, string machines, keyboard basses, and other rare and exotic electric keyboard instruments. These include models from names like Fender, Yamaha, Korg, Roland, Hammond, Wurlitzer, Hohner, Elka, Farfisa, Mellotron, Moog, RMI, and Arp.Though the authentic nuance of each original instrument was captured at 24-bit/96kHz resolution, they can be played at any standard sample rate via Electric Keys' flexible 32-bit UVI playback engine. Presets consist of carefully crafted multi-samples with multiple velocities, layers and/or release samples, depending on the instrument. Samples are streamed from disk, so even the largest presets load quickly while conserving computer memory. Sounds are organized in 12 banks, each with its own custom look ("skin"), letting you to install on your hard drive only the banks you wish to use. The Electric Keys interface offers a few simple controls, including volume, pan, tone, and tremolo settings, along with two preset slots, which allow you to layer two sounds using the convenient multi-column preset browser. When a preset loads, the background displays the "skin" for the corresponding bank, but the controls and their operation remain the same. Once one or two sounds are loaded onto MOTU's Electric Keys, the user can simply play, adjusting parameters as desired, while CPU-efficient 256-note polyphony ensures that notes are never cut off due to voice-stealing.40GB library24-bit/96kHz multi-samplesMore than 20,000 samples of over 50 keyboards from the 60s to today by Fender, Yamaha, Korg, Roland, Hammond, Wurlitzer, Hohner, Elka, Farfisa, Mellotron, Moog, RMI, Arp and moreStandard rate playback via Electric Keys' flexible 32-bit UVI playback engineEach instrument has it's own custom skinEach instrument has access to an effects rack which includes: Amp Simulation, Reverb, Delay, Chorus, Filters, Phaser, Flanger, UVinyl (wear and tear sound)Effects can be loaded, created, and saved independently of instrument presetsSamples streamed from disk, so large presets load quickly and conserve computer memory3D piano keys across the bottom of window highlight during playbackSimple controls include volume, pan, tone, and tremolo settings, along with two preset slots, which allow users to layer two sounds using the convenient multi-column preset browseDozens of factory presets and combis includedLoad and save combis consisting of a snapshot of the entire plug-in, including effectsMIDI learn256 polyphonyEffects parameters are MIDI Controller assignableThe software is available as a standalone virtual instrument as well as an RTAS, AU, MAS, VST, and DXii

AKG C516ML Miniature Instrument Microphone $189 The AKG C 516 ML is a lightweight cardioid mini microphone for use on accordions, guitar speakers, piano and keyboard/organ cabinets. The included screws and double-sided, solvent-free adhesive pads make it easy to install the microphone on your musical instrument or amp exactly where you need it. Using two C 516 MLs (one on the bass and one on the treble side) and an optional B 29 L battery power supply is an ideal way to mic up an accordion. The C 516 ML is the only version available and can be used with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering. The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters. Cardioid instrument microphone with miniature mounting bracket High mechanical-noise attenuation Including wireless direct adapter for easy use with AKG pocket transmitters Detachable microphone cable Ideal for miking up accordions and guitar, piano, keyboard, or organ amplifiers Includes 2 double-sided adhesive rubber plates, 3 countersunk bolts (3 x 30 MM), 3 self-tapping screws (2.9 x 13 mm), A 400 adapter, adhesive compound, H 516 Mount Plate, microphone bag, and W44 windscreen

Akg C516ml Miniature Instrument Microphone $189 The AKG C 516 ML is a lightweight cardioid mini microphone for use on accordions, guitar speakers, piano and keyboard/organ cabinets. The included screws and double-sided, solvent-free adhesive pads make it easy to install the microphone on your musical instrument or amp exactly where you need it. Using two C 516 MLs (one on the bass and one on the treble side) and an optional B 29 L battery power supply is an ideal way to mic up an accordion. The C 516 ML is the only version available and can be used with the B 29 L battery power supply, AKG WMS Series bodypack transmitters, or the MPA V L adapter for external phantom powering. The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters. Cardioid instrument microphone with miniature mounting bracket High mechanical-noise attenuation Including wireless direct adapter for easy use with AKG pocket transmitters Detachable microphone cable Ideal for miking up accordions and guitar, piano, keyboard, or organ amplifiers Includes 2 double-sided adhesive rubber plates, 3 countersunk bolts (3 x 30 MM), 3 self-tapping screws (2.9 x 13 mm), A 400 adapter, adhesive compound, H 516 Mount Plate, microphone bag, and W44 windscreen

Headway EDB-1 Acoustic Instrument Preamp $319.59 With the compact Headway EDB-1 (Sheer Acoustic Equaliser Direct Blend) mega multi-purpose external pre-amplifier box you can completely shape your sound with a 5-band interactive EQ, switchable input impedance, and 3-way range switch. The preamp's controls offer acoustic guitar, bass, or violin settingswhich cut unwanted low end tones below the useable frequency range of the instrument. This cuts body-handling noise, unwanted resonances, feedback, and violin bowing noise. Feedback and other resonance problems may be further tackled by a very effective, broad-ranging tunable notch filter and a phase reverse control. The Headway EDB-1 preamp's inputs provide plenty of options for any amplification you use. Whether using a 1/4" jack, balanced stereo 1/4" jack, or XLR jack for a microphone, the EDB-1 has got you covered. Headway EDB-1 inputs include mono jack, stereo jack and XLR, through 2 channels. The inputs enable you to blend in an extra pickup, or microphone. You can plug into them with 1 or 2 standard mono jack leads, a jack lead plus an XLR, or a stereo jack lead. An unbalanced 1/4" jack would be related to the Channel 1 input. A balanced 1/4" jack relates to the stereo input (using channels 1 and 2), for an instrument using an internal mic and pickup, being blended internally. Channel 2 mic is an XLR input allowing you to use a microphone onstage, if your instrument does not have a pickup. Each channel's input impedance switches allow you to optimize the voicing for any of the major pickup types, while a huge amount of extra levels can be applied via the gain controls and master volume. Phantom power is also available to jack in and XLR inputs, making the unit friendly for use with quality condenser mics and Instruments wired with no battery inside instrument, but with active pickups needing powering. The outputs use a balanced XLR out and a line out jack. If an earth loop is heard causing hum, you may kill it by pressing the earth lift switch. The two outputs also allow you to split the signal, such as between an acoustic combo amp for stage monitoring and an out front mixing desk. The Headway EDB-1 preamp can be mounted on its rubber feet, carried with you on a belt clip. Powering is via two 9v PP3 ( 6F22 ) batteries, or via plug-in DC Power supply.Pro-audio qualityMono/Stereo jacks inputsXLR inputInput impedance switchable to optimize various pickup types3-way Range control selects High Pass Filter/Low-cut settings for guitar,violin, or bass.2 channels5-band interactive EQTunable Notch Filter with variable band width + In/OutPhantom power to Inputs via switchBalanced XLR Line Out (Mix of 2 channels ) + Earth Lift switchJack line out in mono mix of 2 channels.Battery or external DC Plug-in power supplyLow battery indicatorMount via rubber feet, Belt clipWeight: 1-1/2 lb.Dimensions: 5-1/2"D x 3-3/4"W x 1-3/4"H (height includes low-profile knobs)

Headway Edb-1 Acoustic Instrument Preamp $319.59 With the compact Headway EDB-1 (Sheer Acoustic Equaliser Direct Blend) mega multi-purpose external pre-amplifier box you can completely shape your sound with a 5-band interactive EQ, switchable input impedance, and 3-way range switch. The preamp's controls offer acoustic guitar, bass, or violin settingswhich cut unwanted low end tones below the useable frequency range of the instrument. This cuts body-handling noise, unwanted resonances, feedback, and violin bowing noise. Feedback and other resonance problems may be further tackled by a very effective, broad-ranging tunable notch filter and a phase reverse control. The Headway EDB-1 preamp's inputs provide plenty of options for any amplification you use. Whether using a 1/4" jack, balanced stereo 1/4" jack, or XLR jack for a microphone, the EDB-1 has got you covered. Headway EDB-1 inputs include mono jack, stereo jack and XLR, through 2 channels. The inputs enable you to blend in an extra pickup, or microphone. You can plug into them with 1 or 2 standard mono jack leads, a jack lead plus an XLR, or a stereo jack lead. An unbalanced 1/4" jack would be related to the Channel 1 input. A balanced 1/4" jack relates to the stereo input (using channels 1 and 2), for an instrument using an internal mic and pickup, being blended internally. Channel 2 mic is an XLR input allowing you to use a microphone onstage, if your instrument does not have a pickup. Each channel's input impedance switches allow you to optimize the voicing for any of the major pickup types, while a huge amount of extra levels can be applied via the gain controls and master volume. Phantom power is also available to jack in and XLR inputs, making the unit friendly for use with quality condenser mics and Instruments wired with no battery inside instrument, but with active pickups needing powering. The outputs use a balanced XLR out and a line out jack. If an earth loop is heard causing hum, you may kill it by pressing the earth lift switch. The two outputs also allow you to split the signal, such as between an acoustic combo amp for stage monitoring and an out front mixing desk. The Headway EDB-1 preamp can be mounted on its rubber feet, carried with you on a belt clip. Powering is via two 9v PP3 ( 6F22 ) batteries, or via plug-in DC Power supply.Pro-audio qualityMono/Stereo jacks inputsXLR inputInput impedance switchable to optimize various pickup types3-way Range control selects High Pass Filter/Low-cut settings for guitar,violin, or bass.2 channels5-band interactive EQTunable Notch Filter with variable band width + In/OutPhantom power to Inputs via switchBalanced XLR Line Out (Mix of 2 channels ) + Earth Lift switchJack line out in mono mix of 2 channels.Battery or external DC Plug-in power supplyLow battery indicatorMount via rubber feet, Belt clipWeight: 1-1/2 lb.Dimensions: 5-1/2"D x 3-3/4"W x 1-3/4"H (height includes low-profile knobs)

The Instrument Of Control $10.49 The Instrument Of Control

Elemental Instrument $12.49 Elemental Instrument

Instrument Soundtrack $9.49 Instrument Soundtrack

First Instrument $9.99 First Instrument

Instrument $12.99 Track Listing: 1. Pink Frosty - (demo), 2. Lusty Scripps, 3. Arpeggiator - (demo), 4. Afterthought, 5. Trio's, 6. Turkish Disco, 7. Me and Thumbelina, 8. Floating Boy - (demo), 9. Link Track, 10. Little Debbie, 11. H.B., 12. I'm So Tired, 13. Rend It - (demo), 14. Closed Captioned - (demo), 15. Guilford Fall - (demo), 16. Swingset, 17. Shaken All Over, 18. Slow Crostic

Marshall MXL 603 Handheld Instrument Microphone $124.99 2 3 Year 30 Hz to 20 kHz 4.80 oz Gold-sputtered, 6 micron gold diaphragm Sensitivity: 10mV/Pa MXL 603 Handheld Instrument Microphone Aluminum Flight Case High-Isolation Shockmount Micro-fiber Cleaning Cloth Omnidirectional Capsules Hard Mount Mic Stand Adapter Designed with professional and working musicians in mind, the MXL 603 Instrument Microphone Pair delivers the natural acoustic properties you need for overhead drums, piano, string instruments, and more. Sharing characteristics of European and Japanese imports at a fraction of the price, a transformerless design provides a solid bottom and an extremely open top end sound. The MXL 603 pair even handles guitar amp recordings! Cable Handheld MXL MXL 603 MXL 603 Handheld Instrument Microphone MXL603Pair Marshall Marshall Electronics, Inc Microphone Silver USB www.mars-cam.com

Monster Cable Standard 100 Instrument Coaxial Cable $17.99 21 ft Precision coaxial design for accurate frequency response & wide dynamic range Carbon-infused dielectric reduces microphone pops & cracks for a noise-free cable design IsoTec vibration technology further reduces handling noise Interchangeable color O-ring attaches to each connector for easy identification Hard nickel contact with durable & corrosion-resistant connectors Microphone Coaxial Copper Extra-flexible, Duraflex Male Molded Monster Cable Monster Cable Products, Inc Network Cable S100-1-21 Standard 100 Instrument Coaxial Cable www.monstercable.com

Nady UHF-3 Instrument Wireless System MU3/484.55 $149.99 Why worry about tripping over cords or being tied to your amp when you can go wireless with the UHF-3 wireless instrument system. Just plug your guitar or bass into the bodypack transmitter and you've given yourself approximately 250-500 feet of breathing roomenough to explore the stage and get closer to your fans.The Nady UHF-3 wireless instrument system consists of a half-rack receiver with folding front-panel dual antennas that gives you clear channel UHF operation for optimum interference-free performance, and the aforementioned UB-3 bodypack which is extremely small and convenient. The wireless receiver gives you a generous 120dB dynamic range thanks to Nady's proprietary companding circuitry. It also offers Tone Squelch for locking out potential interference, DIgiTRU Diversity for maximum range and dropout protection. It provides both 1/4" unbalanced and an XLR balanced output for hooking up to your amp, speakers, mixer, etc.The UB-3 bodypack has an audio mute switch, bicolor LED status indicator for when the unit is on and to warn you of a low battery, and a locking 3.5mm mini jack so you don't have to worry about your instrument cable popping out during the wildest performances.

Nady UHF-3 Instrument Wireless System MU4/493.55 $149.99 Why worry about tripping over cords or being tied to your amp when you can go wireless with the UHF-3 wireless instrument system. Just plug your guitar or bass into the bodypack transmitter and you've given yourself approximately 250-500 feet of breathing roomenough to explore the stage and get closer to your fans.The Nady UHF-3 wireless instrument system consists of a half-rack receiver with folding front-panel dual antennas that gives you clear channel UHF operation for optimum interference-free performance, and the aforementioned UB-3 bodypack which is extremely small and convenient. The wireless receiver gives you a generous 120dB dynamic range thanks to Nady's proprietary companding circuitry. It also offers Tone Squelch for locking out potential interference, DIgiTRU Diversity for maximum range and dropout protection. It provides both 1/4" unbalanced and an XLR balanced output for hooking up to your amp, speakers, mixer, etc.The UB-3 bodypack has an audio mute switch, bicolor LED status indicator for when the unit is on and to warn you of a low battery, and a locking 3.5mm mini jack so you don't have to worry about your instrument cable popping out during the wildest performances.

Nady UHF-3 Instrument Wireless System MU1/470.55 $149.99 Why worry about tripping over cords or being tied to your amp when you can go wireless with the UHF-3 wireless instrument system. Just plug your guitar or bass into the bodypack transmitter and you've given yourself approximately 250-500 feet of breathing roomenough to explore the stage and get closer to your fans.The Nady UHF-3 wireless instrument system consists of a half-rack receiver with folding front-panel dual antennas that gives you clear channel UHF operation for optimum interference-free performance, and the aforementioned UB-3 bodypack which is extremely small and convenient. The wireless receiver gives you a generous 120dB dynamic range thanks to Nady's proprietary companding circuitry. It also offers Tone Squelch for locking out potential interference, DIgiTRU Diversity for maximum range and dropout protection. It provides both 1/4" unbalanced and an XLR balanced output for hooking up to your amp, speakers, mixer, etc.The UB-3 bodypack has an audio mute switch, bicolor LED status indicator for when the unit is on and to warn you of a low battery, and a locking 3.5mm mini jack so you don't have to worry about your instrument cable popping out during the wildest performances.

Nady UHF-3 Instrument Wireless System MU2/480.55 $149.99 Why worry about tripping over cords or being tied to your amp when you can go wireless with the UHF-3 wireless instrument system. Just plug your guitar or bass into the bodypack transmitter and you've given yourself approximately 250-500 feet of breathing roomenough to explore the stage and get closer to your fans.The Nady UHF-3 wireless instrument system consists of a half-rack receiver with folding front-panel dual antennas that gives you clear channel UHF operation for optimum interference-free performance, and the aforementioned UB-3 bodypack which is extremely small and convenient. The wireless receiver gives you a generous 120dB dynamic range thanks to Nady's proprietary companding circuitry. It also offers Tone Squelch for locking out potential interference, DIgiTRU Diversity for maximum range and dropout protection. It provides both 1/4" unbalanced and an XLR balanced output for hooking up to your amp, speakers, mixer, etc.The UB-3 bodypack has an audio mute switch, bicolor LED status indicator for when the unit is on and to warn you of a low battery, and a locking 3.5mm mini jack so you don't have to worry about your instrument cable popping out during the wildest performances.

Nady UHF-3 Instrument Wireless System MU6/509.55 $149.99 Why worry about tripping over cords or being tied to your amp when you can go wireless with the UHF-3 wireless instrument system. Just plug your guitar or bass into the bodypack transmitter and you've given yourself approximately 250-500 feet of breathing roomenough to explore the stage and get closer to your fans.The Nady UHF-3 wireless instrument system consists of a half-rack receiver with folding front-panel dual antennas that gives you clear channel UHF operation for optimum interference-free performance, and the aforementioned UB-3 bodypack which is extremely small and convenient. The wireless receiver gives you a generous 120dB dynamic range thanks to Nady's proprietary companding circuitry. It also offers Tone Squelch for locking out potential interference, DIgiTRU Diversity for maximum range and dropout protection. It provides both 1/4" unbalanced and an XLR balanced output for hooking up to your amp, speakers, mixer, etc.The UB-3 bodypack has an audio mute switch, bicolor LED status indicator for when the unit is on and to warn you of a low battery, and a locking 3.5mm mini jack so you don't have to worry about your instrument cable popping out during the wildest performances.