Geni Swing Guitars

Bridge Tailpiece

Electric Guitar Design

History

George Beauchamp invented the electric guitar or some may call the lap steel guitar. Initially, electric guitars consisted primarily of hollow archtop acoustic guitar bodies to which electromagnetic transducers had been attached.

Early years

Sketch of Rickenbacker "frying pan" lap steel guitar from 1934 patent application.

Electric guitars were originally designed by an assortment of luthiers, electronics enthusiasts, and instrument manufacturers, in varying combinations. Some of the earliest electric guitars, then essentially adapted hollow bodied acoustic instruments, used tungsten pickups and were manufactured in the 1930s by Rickenbacker. In 1935, a Soviet scientist working separately from his western colleagues was known to have produced an electric Russian guitar called the "Kuznetsov electromagnetic guitar". It was exhibited at a technology expo in Moscow, but its development was halted since the Stalin regime was hostile to guitar music[citation needed].

At least one company, Audiovox, built and may have offered an electric solid-body as early as the mid-1930s. Rickenbacher, later spelled Rickenbacker offered a cast aluminum electric guitar, nicknamed The Frying Pan or The Pancake Guitar, beginning in 1933.

Another early solid body electric guitar was designed and built by musician and inventor Les Paul in the early 1940s, working after hours in the Epiphone Guitar factory. His log guitar (so called because it consisted of a simple 4x4 wood post with a neck attached to it and homemade pickups and hardware, with two detachable Swedish hollow body halves attached to the sides for appearance only) was patented and is often considered to be the first of its kind, although it shares nothing in design or hardware with the solid body "Les Paul" model sold by Gibson.

Fender

Main article: Fender Musical Instruments Corporation

Sketch of Fender lap steel guitar from 1944 patent application.

In 1950 and 1951, electronics and instrument amplifier maker Leo Fender through his company, designed the first commercially successful solid-body electric guitar with a single magnetic pickup, which was initially named the "Esquire". The two-pickup version of the Esquire was called the "Broadcaster". The bolt-on neck was consistent with Leo Fender's belief that the instrument design should be modular to allow cost-effective and consistent manufacture and assembly, as well as simple repair or replacement.

In 1954, Fender introduced the Fender Stratocaster, or "Strat". It was positioned as a deluxe model and offered various product improvements and innovations over the Telecaster. These innovations included an ash or alder double-cutaway body design for badge assembly with an integrated vibrato mechanism (called a synchronized tremolo by Fender, thus beginning a confusion of the terms that still continues), three single-coil pickups, and body comfort contours. Leo Fender is also credited with developing the first commercially-successful electric bass called the Fender Precision Bass, introduced in 1951.

Gibson

Main article: Gibson Guitar Corporation

Gibson, like many guitar manufacturers, had long offered semi-acoustic guitars with pickups, and previously rejected Les Paul and his "log" electric in the 1940s. In apparent response to the Telecaster, Gibson introduced the first Gibson Les Paul solid body guitar in 1952 (although Les Paul was actually brought in only towards the end of the design process for expert fine tuning of the nearly complete design and for marketing endorsement ). Features of the Les Paul include a solid mahogany body with a carved maple top (much like a violin and earlier Gibson archtop hollow body electric guitars) and contrasting edge binding, two single-coil "soapbar" pickups, a 24" scale mahogany neck with a more traditional glued-in "set" neck joint, binding on the edges of the fretboard, and a tilt-back headstock with three machine heads (tuners) to a side. The earliest models had a combination bridge and trapeze-tailpiece design that was in fact designed by Les Paul himself, but was largely disliked and discontinued after the first year. Gibson then developed the Tune-o-matic bridge and separate stop tailpiece, an adjustable non-vibrato design that has endured. By 1957, Gibson had made the final major change to the Les Paul as we know it today - the humbucking pickup, or humbucker. The humbucker, invented by Seth Lover, was a dual-coil pickup which featured two windings connected out of phase and reverse-wound, in order to cancel the 60-cycle hum associated with single-coil pickups; as a byproduct, however, it also produces a distinctive, more "mellow" tone which appeals to many guitarists. The more traditionally designed and styled Gibson solid-body instruments were a contrast to Leo Fender's modular designs, with the most notable differentiator being the method of neck attachment and the scale of the neck (Gibson-24.75", Fender-25.5"). Each design has its own merits. To this day, the basic design of many solid-body electric guitar available today are derived from the original designs - the Telecaster, Stratocaster and the Les Paul.

Vox

In 1962 Vox introduced the pentagonal Phantom guitar, originally made in England but soon after made by EKO of Italy. It was followed a year later by the teardrop-shaped Mark VI, the prototype of which was used by Brian Jones of The Rolling Stones. Vox guitars also experimented with onboard effects and electronics. The Teardrop won a price for its design. In the mid 1960s, as the sound of electric 12 string guitar became popular, Vox introduced the Phantom XII and Mark XII electric 12 string guitars. Vox produced many more traditional 6 and 12 string electric guitars in both England and Italy.

GuitarOrgan

In 1966 Vox introduced the revolutionary but problematic GuitarOrgan, a Phantom VI guitar with internal organ electronics. The instrument's trigger mechanism required a specially-wired plectrum that completed circuit connections to each fret, resulting in a very wide and unwieldy neck. John Lennon was given one in a bid to secure an endorsement, though this never panned out. According to Up-Tight: the Velvet Underground Story, Brian Jones of the Rolling Stones also tried one; when asked by the Velvets if it "worked", his answer was negative. The instrument never became popular, but it was a precursor to the modern guitar synthesizer.

Other guitars

Also other materials than wood were used. Travis Bean as well as Kremer built guitars with aluminium necks. Danelectro used cardboard bodies. Also plasic and carbon bodied guitars have been made in the past. The Gittler guitar was a design guitar made in the 8os. 1991 saw the introduction of guitar designer Jol Dantzig's first truly workable acoustic-electric hybrid guitar design. The instrument, called the DuoTone, was conceived while Dantzig was at Hamer Guitars. (Dantzig was also the designer of the first 12 string bass.) Adapted by players like Ty Tabor, Stone Gossard, Elvis Costello and Jeff Tweedy, the DuoTone was a full "duplex" instrument that could switch between acoustic and electric tones. Recently there have been many entries in the hybrid category (capable of both acoustic and electric tones) including the T5 by Taylor, Michael Kelly's "Hybrid," the Parker Fly and the Anderson Crowdster. In the 90s the band Neptune began building weird looking metal guitar with 3rd Bridge options incorporated. A predecessor of this type of guitars is the Pencilina. Linda Manzer designed the Pikasso guitar with multiple necks.

See also

3rd Bridge Guitar

Experimental musical instrument

Fender Broadcaster

Fender Bullet

Fender Cyclone

Fender Duo-Sonic

Fender Electric XII

Fender Jaguar

Fender Jag-Stang - co-created with Kurt Cobain

Fender Jazzmaster

Fender Contemporary Stratocaster Japan

Fender Lead Series

Fender Musicmaster

Fender Mustang

Fender Prodigy

Fender Performer

Fender Showmaster

Fender Starcaster

Fender Stratocaster

Buddy Guy Polka Dot Stratocaster

Eric Clapton Stratocaster

Eric Johnson Stratocaster

Hello Kitty Stratocaster

Jeff Beck Stratocaster

Jimmie Vaughan Tex-Mex Stratocaster

John Mayer Stratocaster

Mark Knopfler Stratocaster

Ritchie Blackmore Stratocaster

Robert Cray Standard Stratocaster

Stevie Ray Vaughan Signature Stratocaster

Yngwie Malmsteen Stratocaster

Fender Stratocaster XII

Fat Strat

Fender Telecaster

Fender Telecaster Custom

Fender Telecaster Deluxe

Fender J5 Telecaster

Squier Telecaster

Fender Toronado

Fender Swinger

Fender Bronco

Fender Custom

Fender Katana

References

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Guitars

Guitars by String Number

Tenor guitar   Guitar   Seven String   Eight String   Nine String   Ten String   Eleven String  Twelve String

Guitars by Type

Archtop   Classical   Multi String Classical   Steel String Acoustic   Baroque   Russian   Resonator (Dobro)   Semi-acoustic   Electric   Electric acoustic   Tailed bridge guitar   Rhythm guitar   Lead guitar   Acoustic

Alternate Versions

Alto guitar   Bass guitar   Baritone guitar   Double neck guitar   Harp guitar   Pikasso guitar   Chitarra battente   Bajo sexto   Requinto guitar

Other related topics

Luthier   Vintage guitar   Jazz guitar   Guitar chord   Guitar harmonics   Prepared guitar   3rd bridge   Electric Guitar Design  Guitar amplifier   History of the classical guitar

Categories: Electric guitars | Industrial designHidden categories: Articles needing additional references from January 2009 | All articles needing additional references | All articles with unsourced statements | Articles with unsourced statements from February 2007
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Graph Tech ResoMax NVt Tailpiece Chrome $49.99 The ResoMax NVt guitar tailpiece is the finishing touch to the Graph Tech ResoMax Harmonic Bridge System. It is made from the same lightweight ResoMax alloy that will leave each note dripping in tone and harmonics. Complete with the Graph Tech AutoLock locking feature, the ResoMax NVt tailpiece magnetically secures your bridge at all times without tools to use or lose, making restringings simple and quick.Proprietary, lightweight ResoMax alloy increases harmonics in every noteAutoLock magnetically locks the bridge and tailpiece in place without any tools to use or loseTriple plated chrome, Gold, nickel, black and black nickel finishes for years of durability

Graph Tech ResoMax NVt Tailpiece Black Nickel $54.99 The ResoMax NVt guitar tailpiece is the finishing touch to the Graph Tech ResoMax Harmonic Bridge System. It is made from the same lightweight ResoMax alloy that will leave each note dripping in tone and harmonics. Complete with the Graph Tech AutoLock locking feature, the ResoMax NVt tailpiece magnetically secures your bridge at all times without tools to use or lose, making restringings simple and quick.Proprietary, lightweight ResoMax alloy increases harmonics in every noteAutoLock magnetically locks the bridge and tailpiece in place without any tools to use or loseTriple plated chrome, Gold, nickel, black and black nickel finishes for years of durability

Graph Tech ResoMax NVt Tailpiece Gold $54.99 The ResoMax NVt guitar tailpiece is the finishing touch to the Graph Tech ResoMax Harmonic Bridge System. It is made from the same lightweight ResoMax alloy that will leave each note dripping in tone and harmonics. Complete with the Graph Tech AutoLock locking feature, the ResoMax NVt tailpiece magnetically secures your bridge at all times without tools to use or lose, making restringings simple and quick.Proprietary, lightweight ResoMax alloy increases harmonics in every noteAutoLock magnetically locks the bridge and tailpiece in place without any tools to use or loseTriple plated chrome, Gold, nickel, black and black nickel finishes for years of durability

Graph Tech ResoMax NVt Tailpiece Nickel $49.99 The ResoMax NVt guitar tailpiece is the finishing touch to the Graph Tech ResoMax Harmonic Bridge System. It is made from the same lightweight ResoMax alloy that will leave each note dripping in tone and harmonics. Complete with the Graph Tech AutoLock locking feature, the ResoMax NVt tailpiece magnetically secures your bridge at all times without tools to use or lose, making restringings simple and quick.Proprietary, lightweight ResoMax alloy increases harmonics in every noteAutoLock magnetically locks the bridge and tailpiece in place without any tools to use or loseTriple plated chrome, Gold, nickel, black and black nickel finishes for years of durability

Graph Tech Resomax Nvt Tailpiece Black Nickel $54.99 The ResoMax NVt guitar tailpiece is the finishing touch to the Graph Tech ResoMax Harmonic Bridge System. It is made from the same lightweight ResoMax alloy that will leave each note dripping in tone and harmonics. Complete with the Graph Tech AutoLock locking feature, the ResoMax NVt tailpiece magnetically secures your bridge at all times without tools to use or lose, making restringings simple and quick.Proprietary, lightweight ResoMax alloy increases harmonics in every noteAutoLock magnetically locks the bridge and tailpiece in place without any tools to use or loseTriple plated chrome, Gold, nickel, black and black nickel finishes for years of durability

Graph Tech Resomax Nvt Tailpiece Gold $54.99 The ResoMax NVt guitar tailpiece is the finishing touch to the Graph Tech ResoMax Harmonic Bridge System. It is made from the same lightweight ResoMax alloy that will leave each note dripping in tone and harmonics. Complete with the Graph Tech AutoLock locking feature, the ResoMax NVt tailpiece magnetically secures your bridge at all times without tools to use or lose, making restringings simple and quick.Proprietary, lightweight ResoMax alloy increases harmonics in every noteAutoLock magnetically locks the bridge and tailpiece in place without any tools to use or loseTriple plated chrome, Gold, nickel, black and black nickel finishes for years of durability

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Graph Tech Resomax Nvt Tailpiece Nickel $49.99 The ResoMax NVt guitar tailpiece is the finishing touch to the Graph Tech ResoMax Harmonic Bridge System. It is made from the same lightweight ResoMax alloy that will leave each note dripping in tone and harmonics. Complete with the Graph Tech AutoLock locking feature, the ResoMax NVt tailpiece magnetically secures your bridge at all times without tools to use or lose, making restringings simple and quick.Proprietary, lightweight ResoMax alloy increases harmonics in every noteAutoLock magnetically locks the bridge and tailpiece in place without any tools to use or loseTriple plated chrome, Gold, nickel, black and black nickel finishes for years of durability

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At The Bridge $11.49 At The Bridge