Attenuator Power
![]() |
![]() USED Rivera RockCrusher Power Attenuator US $399.99
|
![]() The Power Plug Attenuator 16 ohms guitar amp attenuator US $60.99
|
![]() Altair Power Attenuator PW 5 US $75.00
|
![]() THD Hot Plate Power Attenuator 4 Ohm US $114.99
|
![]() Aeroflex Weinschel 73 20 33 High Power Attenuator US $450.00
|
![]() Newport Research NRC Model 935 3 High Power Attenuator US $1,199.00
|
Why Do We Need Fiber Optic Attenuators?
A fiber optic attenuator, also called an optical attenuator, simulates the loss the would be caused by a long length of fiber. Typically, this device performs receiver testing. While an optical attenuator can simulate the optical loss of a long length of fiber, it cannot accurately simulate the dispersion that would be caused by a long length of fiber.
Put it simply, for a fiber optic receiver, too much light can overload it and degrade the bit error ratio. In order to achieve the best bit error ratio (BER), the light power must be reduced. Fiber optic attenuators fit the requirement perfectly. This can happen when the transmitter delivers too much power such as when the transmitter is too close to the receiver.
What Is a Fiber Attenuator and How Does It Work?
Attenuators are like your sunglasses, which absorbs the extra light energy and protect your eyes from being dazzled. Attenuators typically have a working wavelength range in which they absorb the light energy equally.
An important characteristic of a good fiber attenuator is that they should not reflect the light, instead, they should absorb the extra light without being damaged. Since the light power used in fiber optic communications are fairly low, they usually can be absorbed without noticeable damage to the attenuator itself.
Types of Attenuators
Two types of fiber optic attenuators exist: fixed value attenuators and variable attenuators.
Fixed Value Attenuators
Fixed value attenuators have fixed values that are specified in decibels. Their applications include telecommunication networks, optical fiber test facility, Local Area Network(LAN) and CATV systems.
For example, a -3dB attenuator should reduce intensity of the output by 3 dB(50%).
Fixed value attenuator's attenuation value cannot be varied. The attenuation is expressed in dB. The operating wavelength for optical attenuators should be specified for the rated attenuation, because optical attenuation of a material varies with wavelength.
Fixed value attenuators are composed of two big groups: In-line type and connector type. In-line type looks like a plain fiber patch cable; it has a fiber cable terminated with two connectors which you can specify types.
Connector type attenuator looks like a bulk head fiber connector, it has a male end and a female end. It mates to regular connectors of the same type such as FC, ST, SC and LC.
Variable Attenuators
Variable attenuators come with many different designs. They are general used for testing and measurement, but they also have a wide usage in EDFAs for equalizing the light power among different channels.
One type of variable attenuator is built on a D-shaped fiber as a type of evanescent field device. If a bulk external material, whose refractive index is greater than the mode effective index, replaces a part of the evanescent field reachable cladding, the mode can become leaky and some of the optical power can be radiated. If the index of the external material can be changed with a controllable mean, through the effects such as thermo-optic, electro-optic, or acoustic-optic, a device with controllable attenuation is achievable.
Other types of variable attenuators include air gap, clip-on, 3-step and more.
Colin Yao is an expert on fiber optic communication technologies and products. Learn more about fiber optic cable pulling, cable pulling tools, cable pulling equipment on Fiber Optics For Sale Co. web site.
|
|
Rivera RockCrusher Power Attenuator Purple 8/16 Ohm $499 Rivera RockCrusher Power Attenuator Purple 8/16 Ohm |
|
|
Rivera Rockcrusher Power Attenuator Purple 8/16 Ohm $499 Rivera RockCrusher Power Attenuator Purple 8/16 Ohm |
|
|
Used Marshall Power Brake Amplifier Attenuator 042012 $249.99 In Store Used USED MARSHALL POWER BRAKE AMPLIFIER ATTENUATOR 042012 |
|
|
A Designs ATTY Volume Attenuator $100 The A Designs Audio ATTY (rhymes with "Patty") is a economical, no-noise, compact unit for controlling your audio level. ATTY can be connected to any audio system requiring output gain control, giving you additional power over your sound environment. The ATTY is easy to use and seamless to connect. It is a convenient solution for controlling audio from a variety of sources. It features dual audio ins and outs, a level control knob, and a mute button. Applications Line Level Control for output to prevent clipping. Use it between mic preamp and the inputs of your A/D converter. Place it in back of one of our tube preamps and explore different in/out level combinations without overloading your other gear. Use it as a Level Control to control a pair of powered monitors. The quick mute switch can come in handy as a cough drop! Use it as a passive line level control for guitar, bass, or keyboard amp extension speakers. Explore the many possibilities that ATTY has to offer in a recording envirnoment... OR check out our rackmount version, the ATTY2'D Passive Line Attenuator 2 combo Neutrik inputs 2 balanced XLR outputs Mute panic button Volume pot |
|
|
A Designs Atty Volume Attenuator $100 The A Designs Audio ATTY (rhymes with "Patty") is a economical, no-noise, compact unit for controlling your audio level. ATTY can be connected to any audio system requiring output gain control, giving you additional power over your sound environment. The ATTY is easy to use and seamless to connect. It is a convenient solution for controlling audio from a variety of sources. It features dual audio ins and outs, a level control knob, and a mute button. Applications Line Level Control for output to prevent clipping. Use it between mic preamp and the inputs of your A/D converter. Place it in back of one of our tube preamps and explore different in/out level combinations without overloading your other gear. Use it as a Level Control to control a pair of powered monitors. The quick mute switch can come in handy as a cough drop! Use it as a passive line level control for guitar, bass, or keyboard amp extension speakers. Explore the many possibilities that ATTY has to offer in a recording envirnoment... OR check out our rackmount version, the ATTY2'D Passive Line Attenuator 2 combo Neutrik inputs 2 balanced XLR outputs Mute panic button Volume pot |
|
|
A Designs ATTY Volume Attenuator 886830342325 $50 The A Designs Audio ATTY (rhymes with "Patty") is a economical, no-noise, compact unit for controlling your audio level. ATTY can be connected to any audio system requiring output gain control, giving you additional power over your sound environment. The ATTY is easy to use and seamless to connect. It is a convenient solution for controlling audio from a variety of sources. It features dual audio ins and outs, a level control knob, and a mute button. Applications Line Level Control for output to prevent clipping. Use it between mic preamp and the inputs of your A/D converter. Place it in back of one of our tube preamps and explore different in/out level combinations without overloading your other gear. Use it as a Level Control to control a pair of powered monitors. The quick mute switch can come in handy as a cough drop! Use it as a passive line level control for guitar, bass, or keyboard amp extension speakers. Explore the many possibilities that ATTY has to offer in a recording envirnoment... OR check out our rackmount version, the ATTY2'D Passive Line Attenuator 2 combo Neutrik inputs 2 balanced XLR outputs Mute panic button Volume pot |
|
|
Audio-Technica AT8202 Adjustable Inline Attenuator $39.99 The Audio-Technica AT8202 Adjustable In-line Attenuator is designed to prevent balanced low-impedance microphones from overloading electronics having low- to mid-impedance inputs in high-SPL applications. The adjustable attenuator is designed to assure the proper match of the microphone to the inputs of mixing consoles and portable recording devices without experiencing input overload of the electronics due to high-level signals. The AT8202 is compatible for use in phantom power applications.Prevents overload of sensitive input stages Provides -10 dB, -20 dB or -30 dB attenuation Compatible for use in phantom power applications Durable steel case provides optimum shielding from hum For use with balanced Lo-Z microphones Can be plugged directly into an XLRF-type chassis-mount connector |
|
|
Audio-Technica At8202 Adjustable Inline Attenuator $39.99 The Audio-Technica AT8202 Adjustable In-line Attenuator is designed to prevent balanced low-impedance microphones from overloading electronics having low- to mid-impedance inputs in high-SPL applications. The adjustable attenuator is designed to assure the proper match of the microphone to the inputs of mixing consoles and portable recording devices without experiencing input overload of the electronics due to high-level signals. The AT8202 is compatible for use in phantom power applications.Prevents overload of sensitive input stages Provides -10 dB, -20 dB or -30 dB attenuation Compatible for use in phantom power applications Durable steel case provides optimum shielding from hum For use with balanced Lo-Z microphones Can be plugged directly into an XLRF-type chassis-mount connector |
|
|
Attenuator (57-4422-01) $33.66 Bogen 30 Watt Attenuator (double gang size) |
|
|
Attenuator, 10db, 2ghz, 75ohm $17.99 ATTENUATOR, 10DB, 2GHZ, 75OHM |
|
|
Attenuator, 3db, 2ghz, 75ohm $17.99 ATTENUATOR, 3DB, 2GHZ, 75OHM |
|
|
Used A Designs Atty Volume Attenuator 886830342325 $50 The A Designs Audio ATTY (rhymes with "Patty") is a economical, no-noise, compact unit for controlling your audio level. ATTY can be connected to any audio system requiring output gain control, giving you additional power over your sound environment. The ATTY is easy to use and seamless to connect. It is a convenient solution for controlling audio from a variety of sources. It features dual audio ins and outs, a level control knob, and a mute button. Applications Line Level Control for output to prevent clipping. Use it between mic preamp and the inputs of your A/D converter. Place it in back of one of our tube preamps and explore different in/out level combinations without overloading your other gear. Use it as a Level Control to control a pair of powered monitors. The quick mute switch can come in handy as a cough drop! Use it as a passive line level control for guitar, bass, or keyboard amp extension speakers. Explore the many possibilities that ATTY has to offer in a recording envirnoment... OR check out our rackmount version, the ATTY2'D Passive Line Attenuator 2 combo Neutrik inputs 2 balanced XLR outputs Mute panic button Volume pot |
|
|
coaxial attenuator $2.99 Steren - Coaxial attenuator - F connector (F) - F connector (M) |
|
|
Wat 10 - Speco Wat-10 10Watt Mono Attenuator With Wallplate - Black Knob, Silver Panel $22.89 our High Power Wall Mount Custom Monaural Attenuator is 70/25 Volt at 10 Watts. It Has a Stainless Steel Plate With a Black Knob. [DQ2120] UPC: 030519130509 UNSPC: 39122206 7.5L x 5W x 2H 0.04 LB |
|
|
Bogen / 30 Watt Attenuator / AT35A $39.65 Bogen - 30 Watt Attenuator - AT35A |
|
|
A Designs ATTY Volume Attenuator 886830342325 $50 A Designs ATTY Volume Attenuator 886830342325 |
|
|
Enforcer100W 70V ATTENUATOR Vol Control $29.99 Enforcer100W 70V ATTENUATOR Vol Control |
|
|
Electro-Harmonix Nano Signal Pad Attenuator Guitar Effects Pedal $45.75 The Electro-Harmonix Nano Signal Pad Guitar Pedal is a passive attenuator that allows you to instantly switch to a different preset volume. It's like your guitar's volume knob with a fully passive and color-free circuit. Leave your amp's volume set high for overdrive, and use the Signal Pad Pedal to lower your level for a clean soundthen switch it off to kick in your amp's natural overdrive. You can also experiment with the Signal Pad anywhere in your effects chainyou'll bring out new tonal combinations from your favorite old pedals.True bypassTurn any single channel amp into a 2-channel setupSwitch from lead to rhythm on the flyUse in front or after any effects to change the tone of that effectBattery Powered LED / power supply (not included) |
|
|
Sm Pro Audio Nano Patch + Passive Volume Attenuator $59.99 The super-compact SM Pro Audio Nano Patch + desktop-sized passive volume attenuator, enters the market as one of the smallest around. Building on the success of the original M-Patch and M-Patch 2 passive attenuators, Nano Patch + is perfect for working with stereo signals from soundcards, CD players, pre-amps, and mixers. Nano Patch + facilitates precise level adjustments to analog audio source material. Pro Audio features on the Nano Patch + include balanced combo XLR/TRS input jacks and TRS outputs, mute switch, and a good sized rotary volume encoder. Nano Patch + is simply one of the most affordable improvements you can make to your studio.The Nano Patch + really comes into its own when connected between your computer audio interface/soundcard master outputs and a pair of active (powered) monitor speakers. One of the benefits of passive volume attenuation is that you no longer have to control volumes with your software's master volume fader. Reducing levels from your software only reduces the audio bit depth. It is better to keep your software masters at unity and attenuate the audio to your active monitors with a passive controller like the Nano Patch +. This way you can maintain maximum audio resolution and reduce the amplitude of your monitoring volume with the confidence that the sonic integrity of your audio is not compromised.No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the Nano Patch +. It simply delivers attenuated signal. Pure. Simple. Transparent.The SM Pro Audio attenuator's rotary control (the same pot as used in our M-Patch 2) allows precise level adjustments within 1dB from 0 to -40dB. In addition, the Nano Patch + features completely balanced operation with its combo XLR/TRS input jacks, and TRS outputs.A simple problem solver, use the Nano Patch + anywhere you need to trim gain; ie, reduce the volume of analog audio signals. For example, you could use a Nano Patch + to trim the output of a microphone preamp. With its high-quality potentiometer, the SM Pro Nano Patch + attenuator passes signal more accurately, and sounds better than most built-in volume controls. The possibilities are endless.Super compact 2-channel analog passive volume controlMute buttonCompletely transparent operationNo power required2 x combo inputs, 2 x TRS outputsMetal housingRotary volume attenuation control |
|
|
Respironics Auxiliary Signal Cables - Analog Attenuator Cable $17.99 Analog Attenuator Cable. |
|
|
SM Pro Audio Nano Patch + Passive Volume Attenuator $59.99 Building on the success of the original M-Patch and M-Patch 2 passive attenuators, the Nano Patch is a super-compact, desktop-sized passive volume attenuator, entering the market as one of the smallest around. Perfect for working with stereo signals from soundcards, CD players, pre-amps, and mixers, it is designed to allow precise level adjustments to analog audio source material. Featuring balanced combo XLR/TRS input jacks and TRS outputs, mute switch, and a good sized rotary volume encoder, its simply one of the most affordable improvements you could ever make to your studio.The Nano Patch really comes into its own when connected between your computer audio interface/soundcard master outputs and a pair of active (powered) monitor speakers. One of the benefits of passive volume attenuation is that you no longer have to control volumes with your softwares master volume fader. Reducing levels from your software only reduces the audio bit depth. It is better to keep your software masters at unity and attenuate the audio to your active monitors with a passive controller like the Nano Patch. This way you can maintain maximum audio resolution and reduce the amplitude of your monitoring volume with the confidence that the sonic integrity of your audio is not compromised.No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the Nano Patch. It simply delivers attenuated signal. Pure. Simple. Transparent.The devices rotary control (the same pot as used in our M-Patch 2) allows precise level adjustments within 1dB from 0 to -40dB. In addition, the Nano Patch features completely balanced operation with its combo XLR/TRS input jacks, and TRS outputs.A simple problem solver, you use the Nano Patch anywhere you need to trim gain ie, reduce the volume of analog audio signals. For example, you could use one to trim the output of a microphone preamp. With its high-quality potentiometer, the SMPro attenuator passes signal more accurately, and sounds better than most built-in volume controls. The possibilities are endless.Super compact 2-channel analog passive volume controlMute buttonCompletely transparent operationNo power required2 x combo inputs, 2 x TRS outputsMetal housingRotary volume attenuation control |
|
|
Attenuator (Genetics) $71.7 The attenuator plays an important regulatory role in prokaryotic cells because of the absence of the nucleus in prokaryotic organisms. The attenuator refers to a specific regulatory sequence that, when transcribed into RNA, forms hairpin structures to stop translation when certain conditions are not met.Example: the trp operonAn example is the trp gene in bacteria. When there is a high level of tryptophan in the region, the bacterium may not want to synthesize more because it wants to save energy. When the RNA polymerase binds and transcribes the trp gene, the ribosome will start translating. The attenuator sequence, which is located between the mRNA leader sequence and trp operon gene sequence, contains four domains, where domain 3 can pair with domain 2 or domain 4.The attenuator sequence at domain 1 contains instruction for peptide synthesis that requires tryptophans. A high level of tryptophan will permit ribosomes to translate the attenuator sequence domains 1 and 2, allowing domains 3 and 4 to form a hairpin structure, which results in termination of transcription of the trp operon. Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 100 Publication Date: 2010/04/25 Language: English Dimensions: 5.98 x 9.01 x 0.23 inches |
|
|
Used Weber Mass 50W Attenuator $84.99 In Store Used USED WEBER MASS 50W ATTENUATOR |
|
|
Used Tmh Hot Plate Attenuator $159.99 In Store Used USED TMH HOT PLATE attenuator |
|
|
Speco WAT-10 10Watt Mono Attenuator with Wallplate $45.72 10W 70/25V MONO ATTENUATOR WITHACCSWALLPLATE |
|
|
Steren Coaxial Attenuator. Each $1.73 Manufacturer: Steren. Each. Cable: Coaxial attenuator Left Connector(s): F connector - female Right Connector(s): F connector - male Customers also search for: Discount Steren Coaxial Attenuator, Buy Steren Coaxial Attenuator, Wholesale Steren Coaxial At |



US $80.00




























































































